The one thing that is clear is that in Pollini, the rethinking process is constant. [9], Maurizio Pollini on his experiences during the Years of Lead[10]. 59, No. His art, formed within the sustaining framework of his childhood home, remains an art without stress. [1] Pollini studied piano first with Carlo Lonati, until the age of 13, then with Carlo Vidusso, until he was 18. Pollini agrees that ''experience brings one to a different vision of what one plays.'' He has a perfect equilibrium between subjective and objective.''. “Well, there was a lot of music in the house. Finally came the test of interpretation: Op. In 1987 he played the complete piano concertos of Ludwig van Beethoven in New York with the Vienna Philharmonic under Claudio Abbado and received on this occasion the orchestra's Honorary Ring. And Milan was a wonderful city for culture when I was a child. It could as well be said of Maurizio. Maurizio Pollini (born January 5, 1942) is an Italian pianist. Pollini throws up his hands in despair. 10. ''I was the boy just starting out,'' Pollini recalls, ''and the star was Carlo Vidusso, who had studied with Lonati and who was later, when Lonati died, to become my teacher.'' What is known of Pollini beyond his winning of the prestigious Chopin Competition in Warsaw in 1960? Manzoni calls it ''a lovely and wonderful time.'' But Pollini followed with Op. Vidusso was a virtuoso himself: he'd withdrawn from concertizing to teach and it was he who prepared me for Warsaw. All the great pianists came here, Backhaus, Walter Giesking, Rubinstein.”, It was Rubinstein who led the jury that declared Pollini the winner of the 1960 Warsaw competition, saying: “that boy can play the piano better than any of us”. [5], In March 2012 it was announced that Pollini had cancelled all his forthcoming appearances in the USA for health reasons. Maurizio Pollini (born January 5, 1942) is an Italian pianist. As Pollini points out, the musical Musee imaginaire, to borrow an image from Malraux, is limited: ''In music, our attention is focused on a very limited period. He still holds to the Socialist ideal, in which he sees no need for authoritarian government. The second is a matter of repertory. It consists of four or five hours a day of practice in a cloth-hung studio with two pianos at the back of his apartment; of reading music (''It is often important to read without playing''), and of reading, talking, eating and, that bane of performers, traveling. Apr 24, 2020. Part of the remaking of his musical mind was the six months or so he spent studying with the mercurial Arturo Benedetti Michelangeli. [2] He received a diploma from the Milan Conservatory and won both the International Ettore Pozzoli Piano Competition in Seregno (Italy) in 1959 and the International Chopin Piano Competition in Warsaw in 1960. He seems to take performing in his stride but he admits that, like Rubinstein, who told him that he always suffered from stage fright, the moment of going on stage always fills him with an intense emotion: before which ''I just feel the need to be alone.'' Pollini's choice began with the fearsome octaves of Op. The young Maurizio went to school, took piano lessons, listened and learned: ''My parents were deeply musical, I loved music from the earliest age. He believes that all those distances between extremities of register and all those pauses at crucial points have a meaning; there is nothing superfluous, nothing unessential. That, his father says, remains to be seen. He also let me play; he was flexible. In his modernity, Pollini reflects his father, Gino, who together with another architect, Luigi Figini, was a pioneer of what we now think of as Italian ''style.'' Pollini's is vast in range, giving equal importance to the literature of the past and present. [4] Following his success at the competition, Pollini didn't perform for a year in order to expand his musical experience, leading to erroneous rumors that he had become a recluse.

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